Andhra Pradesh

Sultan Bazaar School Final Videos

Twenty-four hours and several Bollywood films after leaving Hyderabad, Ilana and I landed safely at JFK airport in New York City today. We still have lots to write about our final weeks in India, though, so you’ll keep hearing from us here. One important thing we have to share are our students’ wonderful final projects! The first batch comes from our pilot program at Sultan Bazaar Government Girls High School, in collaboration with the American India Foundation.

Our class at Sultan Bazaar involved small groups of teachers and students working together to learn digital technology skills and create multimedia projects that could enhance their learning/teaching experiences in regular curriculum subjects. As you will see in the videos below, this format proved to be an effective and accessible way to introduce such digital tools to participants unfamiliar with cameras or computers.

Ilana and I are excited to have been part of developing this model in TMS’s work and truly looking forward to see how TMS builds on our work in the next year. For now, enjoy this first series of curriculum-focused projects created by TMS students!

Cotton Project from The Modern Story on Vimeo.

 

Natural Resources Project from The Modern Story on Vimeo.

 

Triangle Project from The Modern Story on Vimeo.


Aliens, Fear, and a Goodbye Poem

Thursday afternoon I arrived at the Railway school feeling tired. Ilana and I had trekked to Nalgonda for the last time Wednesday before and Thursday morning held an unexpected session at Sultan Bazaar, after finding out at 9:30 am that Friday’s scheduled class would not be possible.

When we began the class, Ilana and Asma each had a group of 7 girls editing videos (two computers for thirty girls makes a “stations” approach necessary), while Neha and I took the rest of the students outside for more time using the video camera. At first they were going to interview some of the tenth class students. In recent weeks our girls have conducted several teacher interviews for their final project about choices and decision-making, as well as two fantastic interviews with Google staff members during our recent field trip. (Have you watched Monika’s interview on Vimeo yet??) But after the first interview Thursday I could tell that the eighth class girls needed a change of pace.

So Neha and I divided our students into groups of five and instructed them to create one-minute silent skits of the following scenario: they are in a village and an alien lands there. (Thank you to Mira Dabit, a Palestinian storyteller who shared this idea in my children’s art class in Nablus.)

Amidst giggles and a few “Really, no words??” responses, the girls set to work planning their dramas with little need for guidance. When they were ready, each group performed their skits for the others, with one or two girls filming. All three groups portrayed a scary creature arriving to break up a group of girls working or playing. The actresses reacted to the alien with fear and violence. Here’s an example:

Alien Landing! from The Modern Story on Vimeo.

After watching all of the performances, we applauded all the groups, and I asked the students to separate into their acting groups again.

“Okay!” I declared, “I want you to make a skit that starts the same way: you’re playing in a village, and an alien lands there. But this time, I want you to pretend that the alien is friendly. Show us what happens.”

Looking a bit more pensive but nevertheless full of ideas the girls got back to planning and rehearsing. Again the groups performed with students filming. Here’s the second skit from the same group as above:

The Friendly Alien from The Modern Story on Vimeo.

Coming together for a wrap-up, I asked the girls what emotions we saw in the two sets of scenes. For the first set, they identified happiness in the village, fear when the alien arrived, and anger directed toward the alien. In the latter scenes, the girls identified happiness, friendliness, sympathy, and sadness (when the alien left).

“That’s great,” I told them. “You demonstrated a wide range of feelings in your scenes. So now tell me something…Why are you afraid of aliens?!” The girls burst out laughing and shouted things about aliens being gross or mean or harmful. I asked if they knew any aliens. “In movies!” they replied.

“Sometimes things we don’t know are scary,” I said. “You didn’t know me six months ago…Were you afraid of our class?” Some of the girls ardently shook their heads, while others raised their hands with wide eyes, clearly recognizing the difference between how they felt in August and how they feel about TMS class now. I said something teacher-ish about how much we’d learned and shared with each other, and how even though some things we don’t know are scary, they can be really exciting, too. The girls were silent for a rare moment, looking at me with smiles.

After that we watched the videos they’d just shot and joined the rest of the students in the science lab, where some other girls recited a poem they’d written for me, Ilana, Asma, and Neha:

Railway Girls Goodbye Poem from The Modern Story on Vimeo.

As I listened to our students’ effusive goodbye, I reflected on my own feelings about our class, and how the lessons I really loved teaching were the ones where digital media skills were not the end goal, but the means through which we encouraged the girls to explore their world, to expand their imaginations, and importantly, to express themselves freely. The success we’ve had in those pursuits showed clearly to me during the alien skit exercise. When I left Railway Thursday afternoon I was no longer tired; I was inspired.


“I” is for India: An update from Tamil Nadu

While Ilana dealt with the uncertainties of AP’s Telangana situation, I’ve stayed on in Tamil Nadu to conduct TMS workshops at Communities Rising. Last week I worked with teachers from CR’s after-school program for village youth. They are creating a video that discourages the use of corporal punishment in education, which will become a teaching tool for CR staff trainings, as well as a great Tamil-language resource for other organizations. Expect to see a subtitled version in the next few days!

This week I am conducting two three-day workshops with 4th to 8th standard students in CR’s after-school programs. Inspired by the success Ilana and I have had in our curriculum-focused Sultan Bazaar classes, I’ve designed photo and video activities in which the kids reinforce their English lessons through learning multimedia skills. The teachers to whom I introduced digital storytelling last week are a great help in organizing these activities.

Today I held my first session with forty 4th and 5th standard students. After a quick name game with the younger crew, Siva–CR’s Periathachoor computer teacher–and I demonstrated how still cameras work. The 4th and 5th class students each practiced taking group shots, using TMS’s “3-S” tip of straight-steady-smooth. Then it was time for their break while the older bunch rolled in. Again Siva and I explained the parts of a digital camera and how it works, this time to twenty-five 6th to 8th standard students. We also demonstrated the use of a Flip video camera and tripod before they ended for and distribution of snacks and brand new Communities Rising backpacks. Tomorrow the older kids will get the chance to be more hands-on, but one particularly eager student, Androos, hung around and tested out the Flip camera after getting his goodies. The rest of them shook my hand at least seventeen times each (as Indian kids are wont to do) before heading out the gate.

The students gaze curiously into the lens as I explain how the shutter works.

Next the 4th and 5th graders returned for their second session, which is typically English class. We divided them into 3 groups, with one adult per group. I passed out pages showing alphabet letters to the groups, so that each group had eight or nine letters. They were supposed to go around the schoolyard, identifying and writing down things they saw that began with those letters. With the sun setting, this ambulatory activity descended into a bit of chaos, but by the time we reigned them in for closing, the groups had a list for almost every letter, and the kids were excited to take pictures of those objects tomorrow to create their own photo alphabet!

Group shot captured by one of the students during camera practice.


The Modern Story Ventures South!

Happy New Year from Tamil Nadu! While Ilana headed north over the holidays I traveled west to Mumbai and then south to visit an another education organization, Communities Rising. CR runs after-school programs in villages of Tamil Nadu’s Villupuram district. They work especially with Dalit children, and tonight I had the great opportunity to hear a presentation by a Dalit priest and lobbyist. I listened eagerly and asked many questions, as caste discrimination is an issue that hasn’t come up easily in conversations in Andhra Pradesh. I’ve wanted to learn more about the topic but wasn’t sure how to approach it, so that is party of why I came to visit CR.

While I’m here I’ve also been holding video workshops with some of CR’s great college students who volunteer in the after-school program. One of those students, Agni, has already completed editing a project in which he talks about CR’s work and his experiences with the organization. Check it out!

Fire at Communities Rising from The Modern Story on Vimeo.


“How to Draw” and other mini-projects by APRS boys

In early December our APRS class worked on a documentary about food at their school and the right to food in India. We’ll show you the finished project in January. While part of the class focused on editing their work in Final Cut Express under Ilana’s guidance, I encouraged some of the others to practice the stop-motion animations we had learned earlier in the semester. Since it had previously been difficult for them to understand that they should only move their drawings small amounts with each frame, this time I tried the method of animation with chalk drawings. The boys set up the tripod, and I demonstrated by drawing a cloud, taking a photo, drawing a raindrop, taking another photo, drawing another raindrop, and repeating. Art lovers that they are, they took my simple example and elaborated with more clever ones. The first series demonstrates their talents with letters and calligraphy:

APRS Letters and Calligraphy from The Modern Story on Vimeo.

The second series is a set of “how-to” drawings:

APRS Drawing Lessons from The Modern Story on Vimeo.

Additionally, some of the students who only joined the class recently took this time to practice making video slide shows. The boys love Windows Movie Maker’s array of transition and video effects, as you’ll see in Saleem’s project below. The photos are from a day when they practiced filming scenes from their favorite films. Thanks for watching!

APRS Video Production from The Modern Story on Vimeo.


Works in Progress: Sultan Bazaar

It’s hard to believe Ilana and I have already had six classes at our Sultan Bazaar workshop! The teachers and students have made quick progress. Last week they completed storyboards, production plans and scripts.

Sultan Bazaar Government Girls School

Class storyboard practice (Photo by Kara)

Sultan Bazaar Government Girls School

The natural resources group hashes out a production plan based on their storyboard (Photo by Kara)

After two 1.5-hour production sessions this week, the groups are nearly finished filming and photographing for their curriculum-based multimedia projects. This workshop is operating on a low-budget model using two Canon Powershot cameras, one Flip HD video camera, and a tripod. Below are some highlighted photos by each of the groups. Click on the project title to view the rest of their photos in TMS’s Flickr photostream.

Cotton

Cotton Plant

Cotton Plant

Sari Shop

Triangles

Visualizing Triangles

Visualizing Triangles

Visualizing Triangles

Natural Resources

Natural Resources

Natural Resources

Natural Resources

Now that they have their project content, it’s time to teach editing skills. We’ll use Windows Live Movie Maker in the Digital Equalizer computer lab that AIF installed at the school. I’ve already been impressed with the girls adeptness at uploading photos and video, so I have high hopes for the strength of their final projects!


Meghana’s Dream

When I ask the typical question, “what do you want to be when you grow up” to my TMS students or other kids I meet in Hyderabad, the most common answer is software engineer. It makes me wonder what the answers were before the IT boom hit Hyderabad. Below I’m posting a homework assignment by one of my students, Meghana. The prompt was, “Think of one thing you are good at. Imagine that for one day you are the best in the world at that thing. Write about your day!” I’m surprised how sometimes we give short directions and the students totally get it, while other times, we try to give lots of direction and it’s confusing. Meghana’s response is not specific to one day but she does give many other clear details about her future goals. Though it’s not a digital story yet–it’s leading up to a project Ilana and I are calling “About Me & Super Me”–it is a modern story in its reflection Hyderabadi youths’ goals, as well as economic and societal expectations.

As some of my students like to write at the beginning of their assignments, please read and enjoy the story:

Meghana, Railway Girls High School

I think one day that i became a good worker in one good company as software engineer. I have to do good work in America. After some day’s and i come to India, first i see my parents. they should feel very happy. I buy one ‘car’ and my parent’s, my grandmother and my sister should go in that car. It is my dream. I should think I the best in the world and my aim. I will do that aim. On that time my parent’s feel very happy. I shall thank parent’s and my teacher. I shall thank to my project work teacher’s also. Again I should built one house. This is my ‘dream.’


A Very Belated Eid Mubarak

We’re back! Ilana and I have resumed classes at APRS boys’ school in Nalgonda, after an extended break for Ramzan and exams. We spent the past three days there, and after a one-day break we’ll be heading there again for the weekend. To introduce the photo slideshow project (see the photos from the first stage on Flickr) Ilana brought her Vizag and Vijayawada slideshows to share with the boys, and I created one of images of Islam around the world. A few of the photos came from my own collection from Palestine and Jordan, while the rest I found online, such as these photos from Ramadan in Sudan and Turkey:

-Tamboor-

Photo by Vit Hassan, taken in Northern Sudan

-Ramadan-

Photo by Vit Hassan, taken in Northern Sudan

Sultanahmet - Iftar 01

Photo by Erik N., taken in Istanbul

The boys were especially excited to see photos of Saudi Arabia, being the site of two holiest cities in Islam, Mecca and Medina. But they were surprised by the range of other countries I showed pictures from, as they searched our class globe for Singapore, Argentina, and the United States.

That evening for homework each member of the class wrote a description of how they celebrate Ramzan (or Ramadan) here in India. Although Ilana and I were around to taste haleem (well, Ilana did anyway–I’m vegetarian), talk to people about the experience of fasting, and even take advantage of some holiday sales, what better way to introduce the full experience than with the writings of our boys? We were quite pleased with the detail of their descriptions, and we hope you enjoy and learn from them!

Bari

Bari

Our Ramzan.

By Bari

We are Muslims. In the ramzan Muslims will be Raza! Raza means we are not eat food and drinking water with 5 am to 6:30 pm. We  eat food at 5 am that is (saher) and to Namaz to pray and read Quran. 6:30 pm in the raza we will do IFTAR. Iftar means we will eat (khajoor) means dates and some fruits this is called IFTAR.

Quran is our holy book. Its come to Ramaz month. It is the gift of God. We will give respect to Quran. We will leave Raza on 30 days. After 30 days we will do one festival that festival name is EID-UL-FITUR means we will go to EID-GHA and pray the Namaz. This namaz is read at 7:30 am. Namaz is over we will give to shake hand and hugging and say each other (EID MUBARAK) we will go to our home and eat food and drink sheer korma. Sheer korma is very famous in ramazan. Sheer koroma means the milk and shewiya means like a (magi, noodles) we will got our relatives house and we will do salam and say EID Mubarak. This is called our Ramazan festival.

Siraj

Siraj

Eid-ul-Fitr, My story

By Siraj

Ramzan Festival

I will wake up on the festival at 5:00 am and go to brought the milk for Sewiyah. I brought 15 litres of milk for the Sewiyah. After that I will take a bath a have fresh. And wear the new clothes. We take the Itar (spray) on the new clothes. It was scent like a spray. After we will go to the (Eid-gah) the big mosque for the prayer. After the prayer we will back to home.

There was a my favourite and special sweet of the (Eid) festival was Sewiyah. I take one cup and drink it. My mom was cooking the Sewiyah very special. In the ramzan the Sewiyah was very special. After the drinking sewiyah we eat food of chicken biryani and curd. After we will go to meet the relatives. We shake hands and say (EID MUBARAK) to each other. After we meet our friends and enjoy. We will take (Eidi). The EIDI the gift to the childrens the relatives and parents gives. My father give me 150 rupees of (EIDI). We will enjoy the lot of the ice-creams, cakes, and burgur. After the enjoying I will get back home and eat the chicken biryani and go to the sleep.


Elephants & Ants!

With the Railway school’s TMS classes on hold as the girls sit their quarterly exams, Ilana and I have a chance to catch everyone up on what’s been happening in our classrooms lately. At Railway we teach separate classes with 16 girls each. We plan our lessons together, which allows us to give each other feedback on which elements worked and which didn’t.

In our first few weeks we focused on introducing digital photography. After our basic lessons using diagrams (on/off button, lens, shutter, display, etc.) and group camera practice we introduced the idea of framing–“what you include or exclude from the picture.” We gave each girl a paper frame and took them on a walk around the courtyard. As they held up their frame to imagine what they shots they would take they started to understand that they have the power to decide what’s inside the frame.

IMG_0610

Lalitha, Jayashree, Krishna Veni (8th year students in Kara's class)

Explaining “composition” and “perspective” the next day proved to be a bit more difficult. We’ve learned from more recent lessons that the girls understand definitions and also homework instructions much better if we print them out. Railway is an English-medium school, but our American accents are difficult to keep up with!

Additionally, the girls had some difficulty imagining that the elements they were including in their pictures could be arranged in different ways. We didn’t want to leave them confused but also wanted to keep class proceeding to new activities and concepts, so Ilana and I came up with an exaggerated example for the girls to practice and wrap-up composition and perspective in the next class.

We divided each of our girls into small groups, each of which had a camera and a task: take photos of things around the schoolyard…as an elephant or an ant. Half the girls had to look through the lens as if they were tiny crawlers and half as if they were galumphing beasts. Some of the results are below, and you can check out more photos in the Elephants & Ants set on our Flickr page!

Ant's Perspective

A new vANTage point

Ant's Perspective

Another ant shot

Elephant's Perspective

Elephant!

Elephant's Perspective

Hello, elephant

The girls are also making great progress with storytelling and expression (more on that in the coming days), but they are always eager for more time using the cameras!


among tests and holidays

We apologize for the delay in posting. The internet has not been working in the apartment for several weeks and we had to make up some days at the Nalgonda school this past weekend and early this week. Between last Saturday and this past Tuesday, we spent 24 hours on a bus to and from Nalgonda and 8 hours in the classroom with the Nalgonda boys. We were able to complete filming for the boys’ second video on disease and were also able to build our tolerance for the incessant horn use of the bus drivers as well as their habit of swerving into oncoming traffic at high speeds.

For their second video, the Nalgonda boys are reporting on a variety of diseases that affect different areas of India. They are talking about malaria, flourisis, mouth and lung cancer among other diseases and health issues. The boys are presenting information themselves at different locations around their school and are interviewing local residents of the community to attempt to understand the general health situation of the area as well as the general understanding the population has of disease and health care. This second video, along with the boys’ first video, should be up on the blog before the end of December. We’re finding that the manic energy of the boys at Nalgonda is both a blessing and a curse. It’s very enjoyable to see how enthusiastic the boys can get when discussing topics from disease to religion, cricket and the environment. And they are often very intent and enthusiastic when operating the camera equipment. However, there have been many times when the boys’ excitement has got the better of them – when they’ve ignored instruction and taped over an interview we needed for a video, when they’ve slyed away to a computer to listen to music while Mona and I are teaching a lesson, or when they’ve snuck into the camera bag and turned on the camera to play with it before we’ve started filming. All of this should be expected – they’re young boys all living together at school and we’re foreigners bringing in new technology most of them have never used before (they’re definitely not going to sit with hands folded) – so we don’t take the rowdy energy as a sign that we’re losing the boys or that they’re not interested in learning. Harnessing the boys’ energy for constructive work is the name of the game at Nalgonda.

At Vijayanagar Colony, the students are progressing with their news video on traffic and child labor. We have been able to get many interviews on their respective topics as well as shoot “news room” footage with student anchors reporting from a desk in our classroom in front of a drawing on the blackboard which acts as the logo for our “news team”. We are also shooting smaller stories to filter in between the two large topics of child labor and traffic. We will include a “sports update” on some cricket news and also an entertainment update detailing a movie that the kids will act out. These smaller stories are just a way to get the kids more involved, more comfortable with the idea of acting and give them a fuller understanding of what constitutes a news program. At Vijayanagar we’ve begun talking about the students third and final video project (to be filmed and completed after the students winter vacation), which we were thinking could be an oral history on an important event or aspect of Indian history. Once we said the word history, the kids were prompt with protest and vocal displeasure. It seems that all things history have a stigma for our ninth class students at Vijayanagar (and probably for most 9th class students everywhere). We asked the students to write about an important event in Indian history in their notebooks. Many students asked to consult their Social Studies textbooks and others drew the Indian flag, either to signify the 1947 Independence or because their nearby classmate had drawn a flag. We’re hoping to bring the kids around to this idea of oral history through more subtle assignments.

A common question thrown at Mona and I is “are you married”. In India, I find that I feel a little inadequate when I respond that I’m single. In the United States, I fit right in as a 23 year old bachelor. But here, it almost seems irresponsible to be that age and still be single. I was talking to an auto rickshaw driver and he explained that my age, 23, was “sufficient for marriage”. I felt obliged to give an explanation of why I hadn’t found the one yet. So many of the people are marrying in their early twenties here.A friend we met here, Kedar, was explaining to us that in just the past week he had attended 3 different marriages. It seems that many marriages are arranged here. While looking through a magazine “India Today,” Mona and I came across the brides / grooms wanted section. It looks just like the singles page in an American paper, where single people list their attributes and interests in hopes of finding someone to date. The difference here is that it’s not dating, it’s marriage. A door-to-door fundraiser, Chaitanya, who we met several weeks ago explained that a possible reason for all the marriages, for love or otherwise, is that once married the couples can have kids who will help with the economic burdens of daily life. Previously in our stand and declare exercise, students at Vijayanagar explained that one example of inequality for women in India is that they are made to provide a dowry when entering marriage. This can place a huge burden on the bride’s family. Also, it seems that people really knock themselves out for weddings here, probably dipping far into their financial reserves for a single day of symbolic importance. Despite all of this, the wedding celebrations here seem quite beautiful and very entertaining. A testament to this is that Mona and I have been attempting to get invited to one for some time through not so subtle statements to locals here like,”oh you were just at a wedding…I’d love to see a wedding here!” We’ll keep you posted on our progress.

Something that I have noticed in many of our students and in the people we meet outside the classroom is their pride. It manifests itself in many ways – the inability of an auto driver to admit he has no clue where your destination is; the inability of our students to admit that they don’t understand our very fast English; the hospitable friend who insists on paying for everyone and doing everything for you; and the principal at the school who is forever wary of the foreigners and their newfangled digital storytelling curriculum. Just as haggling is a way of life here, so too is stating your case and making very clear who you are and what your opinions are. The idea seems to be that if we’re all going to be living on top of each other, we might as well get to know our differences and enjoy our quirks and thoughts. One of our students at Nalgonda has been asking us about our vacation plans, as he lives near us in Abids and wants to meet up. He explains “I’ll show you around the city.” Many other students show similar curiosity and confidence, demanding our number and address. Some of them have commenced the text messages. Others frequently say, “we’ll party at your house?!” Though sometimes the specific plans can’t work out, it’s good to see how vocal and open the kids are. It never hurts to ask, and that’s certianly something our students understand.