tms@themodernstory.com

Everybody wants to learn

The time Ilana and I have as TMS teaching fellows is coming to a close. Today I spent an hour in a Xerox shop printing TMS certificates of completion for our students. After reading the English text for a while, the adult man operating the shop computer highlighted the section that says “exceptionally trained in photography, filmmaking, video editing and computer multimedia software.” He told me, “This boy [pointing to the one behind the Xerox machine] knows all this.” I looked at the boy, assuming (naively) that he was about 18, since he was working a regular job. I’ve met other boys who did “digital printing” coursework in upper secondary school (11th and 12th grade), and I’d talked to this boy, Ramesh, a few times before when he was the only one in the shop. Like many youth I’ve met in such shops, he’s more adept with the technology than his elder superiors, who take charge of interactions with me when they’re around or not watching cricket on the shop television.

This time I asked Ramesh his age. 14. “Are you studying?” No. The man told me that Ramesh had failed his 10th standard exams. But you know all of these things” I said, indicating the computers and other equipment (Xerox shops do passport photos and other multimedia services). Now the man altered what he’d said earlier: Ramesh wants to learn photography, filmmaking, video editing and computer multimedia software. The man was asking me to teach the boy.

Throughout our experiences in Hyderabad, Andhra Pradesh and greater India, Ilana and I have been asked over and over again to share our digital media skills with the people–or the children of the people–that we meet. Today was yet another reminder of the uniqueness of the classes we teach as TMS fellows and the magnitude of students ready and eager to learn.


“I” is for India: An update from Tamil Nadu

While Ilana dealt with the uncertainties of AP’s Telangana situation, I’ve stayed on in Tamil Nadu to conduct TMS workshops at Communities Rising. Last week I worked with teachers from CR’s after-school program for village youth. They are creating a video that discourages the use of corporal punishment in education, which will become a teaching tool for CR staff trainings, as well as a great Tamil-language resource for other organizations. Expect to see a subtitled version in the next few days!

This week I am conducting two three-day workshops with 4th to 8th standard students in CR’s after-school programs. Inspired by the success Ilana and I have had in our curriculum-focused Sultan Bazaar classes, I’ve designed photo and video activities in which the kids reinforce their English lessons through learning multimedia skills. The teachers to whom I introduced digital storytelling last week are a great help in organizing these activities.

Today I held my first session with forty 4th and 5th standard students. After a quick name game with the younger crew, Siva–CR’s Periathachoor computer teacher–and I demonstrated how still cameras work. The 4th and 5th class students each practiced taking group shots, using TMS’s “3-S” tip of straight-steady-smooth. Then it was time for their break while the older bunch rolled in. Again Siva and I explained the parts of a digital camera and how it works, this time to twenty-five 6th to 8th standard students. We also demonstrated the use of a Flip video camera and tripod before they ended for and distribution of snacks and brand new Communities Rising backpacks. Tomorrow the older kids will get the chance to be more hands-on, but one particularly eager student, Androos, hung around and tested out the Flip camera after getting his goodies. The rest of them shook my hand at least seventeen times each (as Indian kids are wont to do) before heading out the gate.

The students gaze curiously into the lens as I explain how the shutter works.

Next the 4th and 5th graders returned for their second session, which is typically English class. We divided them into 3 groups, with one adult per group. I passed out pages showing alphabet letters to the groups, so that each group had eight or nine letters. They were supposed to go around the schoolyard, identifying and writing down things they saw that began with those letters. With the sun setting, this ambulatory activity descended into a bit of chaos, but by the time we reigned them in for closing, the groups had a list for almost every letter, and the kids were excited to take pictures of those objects tomorrow to create their own photo alphabet!

Group shot captured by one of the students during camera practice.


Andhra Pradesh on Edge: Waiting for the Srikrishna Report

As you may have read in recent headlines, the state of Andhra Pradesh has spent the last few weeks anxiously awaiting the release of the Srikrishna Committee on Telangana’s report.  The Srikrishna Committee was officially commissioned by the Government of Indian, on February 3rd, 2010, to look into whether  Telangana should be granted independent statehood, or if it should remain part of the current state body, Andhra Pradesh. This issue of division can be traced back to India’s Independence, when national  borders and state lines were being drawn, and the Andhra and Telangana regions were  fused to become what is now AP. For a more detailed explanation of the root of the current Telangana separatist movement, you can start here.The Srikrishna Committee report was originally scheduled to be released on December 31, 2010, but was delayed due to concerns that AP was not prepared to handle the potential fallout from the announcement, and rescheduled for release on January 6th. Thus, after police and paramilitary units have been deployed across the state, many Hyderabad now hunker down at home, avoiding public transport, and waiting for the afternoon’s news.

As is characteristic of separatist movements, the parties involved are extremely passionate about their respective cause, and each cause is, of course, more complex than it first appears. The push for a separate Telangana state is inextricably knotted into a plethora of social, economic, and political issues that exist within AP, and throughout India as a whole. At stake are government job and education “reservations” (a sort of affirmative action or quota system that is intended to promote the advancement of the disadvantaged, but often lands in the hands of politicians eager to offer slots to their own support base,) water access, centers of commerce, government funding, etc. The distinctive scent of xenophobia floats over the whole matter, each group – Telangana and Andhra – resenting the incursion of the other into their lives, eyeing each other suspiciously as potential job usurpers, and painting the “Other” as something horrid. This is slightly baffling to me, as many Andhras have lived in Hyderabad for generations, making them as much a part of the fabric of this community as any other group of people.

Many of the most vocal advocates for Telangana statehood are young, University-aged males, who find their rallying base at Osmania University in Hyderabad. Kara and I have spoken with a number of older teachers and neighbors – both Andhras and Telanganas – who feel that the main public figures and agitators – older men, who have been disgruntled about the union of Andhra and Telangana since it was first formed – are careless with their acerbic rhetoric, and use their public positions to incite the youth to violence. I certainly don’t know enough about the entire movement to declare any sort of judgement on the matter; however, as a pacifist and an advocate of mediated community dialogue in general, I simply cannot accept frequent small-scale riots, bus burnings, transportation disturbances, and city-wide bandhs, as well as all the collateral damage that comes along with them, as justified means of achieving the desired ends.

This morning, I received a hurried call from Neha, one of our teaching assistants at the Railway Girls School. She told me that she had been on her way to the school when her bus was blocked by a large groups of police and boys throwing stones. She realized that many bus routes were being shut down, but managed to find a bus that would take her back home. Unfortunately, that bus also encountered groups of agitators, and the passengers were forced to disembark and find autos to transport them home. While getting off the bus Neha was hit by one of the stones the boys were throwing, which cut her thumb. She’s confirmed that she’ll be fine, but to me, the violence and senseless injury it obviously causes, are upsetting. As you would expect, today’s TMS class at Railway was canceled.

I’m safely waiting things out in Abids, keeping an eye on my Google newsfeed and hoping that as in the case of the recent Ayodhya verdict, the actual reaction to the Srikrishna Committee report will be far calmer than that predicted by some in the media. We’ll know in a few hours.


The Railway School Chronicle

A few weeks ago, before the exams began and school was off for the winter break, Kara and I handed out a homework assignment aimed at helping our girls imagine what their lives might be like ten years from now. The worksheet was designed to look like the front page of a newspaper (in this case, the imaginary “Railway School Chronicle”), and dated “Thursday November 26th, 2020, with space for a Headline, a cover image, an image caption, and an article. We asked the girls to imagine themselves ten years from now, and to write an article about an accomplishment they’d achieved.

The students’ responses were incredibly creative and wonderful to read. The girls put a lot of effort into finding photos or making collages to match their stories, and their grand ambitions and dreams are evident in the articles they wrote about their future selves. Many of their imaginings are what you might consider the typical dreams of 13 year old girls around the world: surprise stardom, wealth, top athletic achievement, etc. However, if you consider that many of our students’ own mothers, older sisters, or Aunty’s are housewives, it is particularly heartening to see the girls’ desire for success shining through these stories. It is a large leap for some of the students to imagine a career that takes them beyond school and into adulthood – whether that career be in Bollywood, or on the Olympic field.

The class decided to use “Choices and Decision Making” as the theme for their final multimedia piece, and they are currently wrapping up a series of component projects that all touch upon this topic. I hope that by engaging the students in a variety of activities that catalyze creative and critical thought, we can help them explore the wonderful possibilities they can pursue in their future. It’s a well-worn phrase, but I believe it’s quite fitting: If you can perceive it, then you can achieve it!

Below are three students’ homework sheets – click each image to view a larger version on Flickr. To see more students’ “Railway School Chronicle” homework sheets, you can visit “The Railway School Chronicle” Homework Flickr album.

Sravani Kumari's Article (Front)

Sravani Kumari's Article (Back)

Preethi's Article (Front)

Preethi's Article (Back)

Sara's Article (Front)

Sara's Article (Back)


Storyboards Galore

We’re only three days into the New Year, and it’s already off to a great start!

As Kara has shown in previous posts, our classes at Sultan Bazaar have been proceeding wonderfully. After the first class, we divided the class into three groups, each comprised of four or five students, and one teacher. Each group worked together to brainstorm lesson topics for which they could create supplementary classroom multimedia. The three groups independently decided to focus on: Natural Resources, Cotton, and Triangles (the former two being used in natural science classes, and the latter in a maths class.)  With only a few more workshops to go, the students and teachers have been hard at work brainstorming, creating storyboards, writing production plans and scripts, and filming and photographing!

While each student and teacher made her own initial storyboard during the brainstorming process, each group collaborated to eventually choose one storyboard out of the five or six available. Below is a sampling of the wonderful storyboards that the students and teachers produced. Click each image for a closer look! The students’ drawings are great.

Cotton (Front)

Cotton (front)

Cotton (Back)

Cotton (back)

Minerals

Minerals (Natural Resources)

Badam (Front)

Badam (front)

Badam (Back)

Badam (back)

Triangles (Front)

Triangles (front)

Triangles (Back)

Triangles (back)


The Modern Story Ventures South!

Happy New Year from Tamil Nadu! While Ilana headed north over the holidays I traveled west to Mumbai and then south to visit an another education organization, Communities Rising. CR runs after-school programs in villages of Tamil Nadu’s Villupuram district. They work especially with Dalit children, and tonight I had the great opportunity to hear a presentation by a Dalit priest and lobbyist. I listened eagerly and asked many questions, as caste discrimination is an issue that hasn’t come up easily in conversations in Andhra Pradesh. I’ve wanted to learn more about the topic but wasn’t sure how to approach it, so that is party of why I came to visit CR.

While I’m here I’ve also been holding video workshops with some of CR’s great college students who volunteer in the after-school program. One of those students, Agni, has already completed editing a project in which he talks about CR’s work and his experiences with the organization. Check it out!

Fire at Communities Rising from The Modern Story on Vimeo.


“How to Draw” and other mini-projects by APRS boys

In early December our APRS class worked on a documentary about food at their school and the right to food in India. We’ll show you the finished project in January. While part of the class focused on editing their work in Final Cut Express under Ilana’s guidance, I encouraged some of the others to practice the stop-motion animations we had learned earlier in the semester. Since it had previously been difficult for them to understand that they should only move their drawings small amounts with each frame, this time I tried the method of animation with chalk drawings. The boys set up the tripod, and I demonstrated by drawing a cloud, taking a photo, drawing a raindrop, taking another photo, drawing another raindrop, and repeating. Art lovers that they are, they took my simple example and elaborated with more clever ones. The first series demonstrates their talents with letters and calligraphy:

APRS Letters and Calligraphy from The Modern Story on Vimeo.

The second series is a set of “how-to” drawings:

APRS Drawing Lessons from The Modern Story on Vimeo.

Additionally, some of the students who only joined the class recently took this time to practice making video slide shows. The boys love Windows Movie Maker’s array of transition and video effects, as you’ll see in Saleem’s project below. The photos are from a day when they practiced filming scenes from their favorite films. Thanks for watching!

APRS Video Production from The Modern Story on Vimeo.


Railway Girls School: 79th Annual Day Celebrations

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If you had stopped by to visit us in our apartment this past Thursday afternoon, around 2pm,  you would have found Kara and I desperately trying to wrap our own saris – tangled up like bugs in a web of cloth. We were due to hop an auto in just twenty minutes to head to Railway for the school’s 79th Annual Day Celebrations. Luckily, we have very kind neighbors, and after two knocks on the nearest doors, Smt. Pandya rushed over to save us from a sea of sari fabric. Demanding some safety pins, she happily set to work wrapping us up like presents, enlisting the help of Srilatha, one of the hospital’s young housekeeping staff members. Vandana and Srilataha pleated and turned and tucked and pinned, until Kara and I both looked remarkably clean cut and formal – it was an incredible transformation that I certainly couldn’t have accomplished with my own two hands.

Dressed (and assured that the safety pins would keep us from unraveling half way to Lallaguda,) we said goodbye to our surrogate big sisters/mothers/wise women and headed to the Railway Girls School. When we arrived, the late afternoon sun was sinking quickly into the earth and the school was glowing with the excitement of the teachers and students inside. A big colorful tent had been erected for parents and aunties and uncles and cousins to sit under, and the stage at Railway was set up as on Teacher’s Day – a colorful spread of paper flowers on a table in front of chairs for the guests of honor, a podium, microphones, and a sound table to the side. Mr. Prabhaker greeted us with a huge smile – he beamed like a proud father – and told us that we were free to photograph and do as we like “you are one of us now! You shall be back here [backstage] with us if you like!” I couldn’t have asked for a more heartwarming declaration of acceptance and belonging from the school community.

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Kara and I were quickly ushered inside and to the classrooms-turned-dressing rooms (one for the girls playing girls, and one for the girls playing boys!) and swarmed by students who wanted us to take pictures of them in their finery. The costumes were stunning – so colorful and extravagant – and the stage makeup the girls had applied with such expertise (and some help from Shailaja) made them look like little dolls.

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Some of the girls had their hair down – a striking contrast to the crisp, neatly tied plaits and bows of the school day – and they all seemed freed and enthused by the change in costume. Some of them looked so stunningly mature and composed in their traditional dance attire – I had a hard time remembering that the little women in front of me, who looked so sure of themselves and their talent, were the same girls who’d been afraid to ask me “why?” four months ago. I am proud to report that every girl in our 8th class seems to have a bit of a performer inside of her, and it is brilliant to watch this small bit of extraordinary confidence assert itself in such a bold way on stage.

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After a few hundred pictures in the dressing rooms (really, I’m not exaggerating,) Kara and I stepped into the teacher’s room to sip some tea and have samosas. Almost before we could finish our chai, we were once again set upon by a few teachers and students who kindly helped us adjust whatever odds and ends of our saris had become slightly loose.

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Finally, it was time for the program to begin. Kara and I gathered in the computer lab with Preethi (one of our 8th class students,) and Navya, a 10th class former TMS student, to give a small presentation to the official guests of the evening: Sri T.P.V.S.Sekhara Rao (CPO/IR/SCR/SC), Smt. Sujatha J. Prasad (Vice President/SCRWWO/HYB), Sri. P. Srinivasulu (President/Sr.DPO/​HYB). At Mr. Prabhaker’s request, I had edited a small video compilation of the work we’ve been doing this year, as well as some of the work done by students last year. We screened the short film for our guests, and Preethi and Navya gave small, eloquent speeches about how much they love the digital storytelling classes, and the confidence and happiness they fill them with. Hopefully we will be able to post audio from Navya’s speech soon – she agreed to record it for us when classes resume in January.

[vimeo 17721297]

After TMS’ presentation, and a peek at the girls’ “handicrafts” display, the official guests took their seats on the stage, and Mme. Janaki proceeded with introductions, followed by speeches from the official guests, the distribution of awards for students who excelled in athletics and who scored high marks on their exams.

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Then, at last, we arrived at the part of the evening that all in attendance had been waiting for (the lower standard students sat remarkably patiently in the fading light) – the cultural performances.

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Telugu dances, comedy sketches, upbeat performances by the very youngest students with the most frilly costumes, and oddly enough, a little Christmas pageant – everything was absolutely wonderful. The poise, grace, skill, and professional attitude that some of the girls brought to the stage were really remarkable – whatever shyness or hesitancy they felt or exhibited in the classroom simply vanished when they were on stage. They worked the crowd, knew how to make them laugh, threw their entire bodies into every small step and spin, and I have never seen them look so happy.

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Mr. Prabhaker, looking on proudly.

The crowd was enthralled and entirely supportive – cheering loudly when the smallest dancers shook their hips and pompoms, and chuckling at the jokes peppering the skits. Watching the faces of those in the audience was almost as fun as watching the performers on stage.

When the last note had left the speakers, and the curtain closed for good, the girls rushed back stage to change into their comfortable kurtas and leggings, transforming back into the thirteen year old girls we’ve come to know so well. It was an honor to meet some of the girls’ elder sisters (former Railway students themselves,) and wonderful to see so many former students greet their old teachers with affection. Railway is an incredible community – doing so much for their girls with whatever little they have – and it shows in the joy that everyone takes in being together to celebrate with dance and song. I feel incredibly lucky to be accepted as real part of this community, and grateful to have such wonderful students and teachers in my life.

For now, I give you a few of the many photos that I took Thursday evening. Soon, we shall have the video of the performances uploaded and edited to so that you too may enjoy them as well. Stay tuned!


Works in Progress: Sultan Bazaar

It’s hard to believe Ilana and I have already had six classes at our Sultan Bazaar workshop! The teachers and students have made quick progress. Last week they completed storyboards, production plans and scripts.

Sultan Bazaar Government Girls School

Class storyboard practice (Photo by Kara)

Sultan Bazaar Government Girls School

The natural resources group hashes out a production plan based on their storyboard (Photo by Kara)

After two 1.5-hour production sessions this week, the groups are nearly finished filming and photographing for their curriculum-based multimedia projects. This workshop is operating on a low-budget model using two Canon Powershot cameras, one Flip HD video camera, and a tripod. Below are some highlighted photos by each of the groups. Click on the project title to view the rest of their photos in TMS’s Flickr photostream.

Cotton

Cotton Plant

Cotton Plant

Sari Shop

Triangles

Visualizing Triangles

Visualizing Triangles

Visualizing Triangles

Natural Resources

Natural Resources

Natural Resources

Natural Resources

Now that they have their project content, it’s time to teach editing skills. We’ll use Windows Live Movie Maker in the Digital Equalizer computer lab that AIF installed at the school. I’ve already been impressed with the girls adeptness at uploading photos and video, so I have high hopes for the strength of their final projects!


Playing with Bubbles

TMS’s new workshop at the Sultan Bazaar school is different from our other classes because we are working with students and teachers on projects that will relate directly to regular class subjects. This model will serve TMS’s goals of better integrating the multimedia tools we teach into the government curriculum and providing skills that can be used even when the fellows are not present to facilitate. Even as I teach the value of multimedia lesson planning, I too am learning its usefulness. For instance, showing the Sultan Bazaar participants the short video (see last post) that I made with their photos and videos was an effective way to review the skills and tips they’d learned in the previous session.

And with our Railway and APRS classes, I’ve seen students equally engaged in sessions where they’re using existing media as thinking tool as when they are doing hands-on work. On Thursday, when we wanted to draw out more of the Railway girls’ thoughts about women, Ilana proposed that we start by showing a series of 10 photos of women and asking the girls to write three words that came to mind when they looked at the images. The activity blossomed from a run-of-the-mill brainstorm to a discussion about the ways that photographers influence their viewers. Having these sorts of conversations with our students is squeezing a drop of soap into their minds: as everyone shares ideas and encouragement, I get to watch that drop balloon outward in a bubble that expands and expands until…pop! The students’ usual hesitations and decorum is thrown to the wind as a new idea or question bursts out and they can’t contain their excitement to speak up. Seeing these mini mind-explosions occurring all over a sea of thirty students is one of the things I enjoy most about being in the classroom. After all, who doesn’t love playing with bubbles?